Kitchen Table Quarterly amplifies work that breathes fresh life into the past. Our belief is that each of us is an amalgamation of the histories that made us, be they cultural, political, sexual, medical, environmental, religious, or otherwise. We are made of our elementary schools, our diagnoses, our faiths, our former lovers, the injustices both that we have endured and that we have inflicted. We are looking for work that spills secrets and reframes belief. We want honesty. We want an education.

We are an all volunteer organization, doing this because we love it. If you are able, please consider adding to our tip jar to help us cover costs. It will not impact our decision making, but it will support independent publishing and garner lots and lots of gratitude.

Basic Guidelines: 

  • Please only submit to one category, once per reading period.
  • We only print previously unpublished works. For our purposes, personal blogs and/or social media posts do not count as previous publication; however, we do ask that you take down anything you plan to submit to us for consideration. 
  • If submitting translations, you are responsible for acquiring and providing permission from the original writer. 
  • Simultaneous submissions are encouraged! But please let us know as soon as possible if your work is accepted elsewhere. 

For our full guidelines, please visit kitchentablequarterly.org/submit

Kitchen Table Quarterly is always looking for volunteers to join our reader pool, and we accept applications on a rolling basis.

Poetry readers commit to reading 10-15 submissions per week in the lead up to new issue releases. 

Nonfiction readers commit to reading 5-7 submissions per week in the lead up to new issue releases. 

Readers are not eligible to be featured in Kitchen Table Quarterly until they are no longer involved with the magazine. 

Experience is not necessary, but eclectic taste and an understanding of our editorial focus is.

We encourage readers of all backgrounds, identities, and histories to join! We are a magazine focused on history as human experience, and we cannot do that without diversity in our readers.